Serial Of Chanakya
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Not only end of the great Acharya Chanakya but the whole TV serial Chakravartin Ashok Samrat is a historical fiction based a on bits and pieces od history woven on.
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Chanakya Devanagari: च णक्य is a 47-part epic Indian television historical drama written and directed by Dr. Chandraprakash Dwivedi that was originally.
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Series cast summary:
Hemant M. Pandya
RAVAN
1 episode, 1990
Ashok Banthia
Indradutt
Sudhir Dalvi
Ambhiraj
Neena Gupta
Shweta
Sanjay Mishra
Nipunak
Pramod Moutho
Magadh s Maha Mantri Prime Minister Shaktar
Navneet Nishan
Shonotra
Deep Raj Rana
Akshay
Dinesh Shakul
Chandragupta Maurya
Malvika Tiwari
Kalyani
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Dr. Chandraprakash Dwivedi director of this series has also played the title role of Chanakya. See more
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DVD cover of Chanakya with English subtitles
Chanakya Devanagari: च णक्य is a 47-part epic Indian television historical drama written and directed by Dr. Chandraprakash Dwivedi that was originally telecast on DD National from 8 September 1991 1 to 9 August 1992. 2 3 4 Produced by Prakash Dwivedi, the series is a fictionalized account of the life and times of 4th century BCE Indian economist, strategist and political theorist Chanakya also known as Vishnugupta and is based on events occurring between 340 BCE and 321/20 BCE, starting with Chanakya s boyhood and culminating in the coronation of Chandragupta Maurya. Chandraprakash Dwivedi played the title role of Chanakya.
The series is divided into three major parts:
The early life of Vishnugupta in the kingdom of Magadha and the circumstances leading to his self-imposed exile, particularly the persecution and subsequent death of his father at the hands of Dhanananda, King of Magadha.
The invasion of northwestern India by Alexander, his death and the rebellion led by native Indian kingdoms under the leadership of Chandragupta Maurya against Alexander s successors in India. The Greek invaders are defeated.
The attack on and overthrow of the Nanda rule in Magadha and the crowning of Chandragupta as the King of Magadha.
Within this framework, Dwivedi portrays the politics and backstabbing that governed relations between kings and officials of that time. He covers the workings of the early Indian republics and the way of life of ordinary Indians.
Chanakya is critically acclaimed and has been hailed as a milestone on Indian television. At the same time, it has been the subject of political controversy. It has been televised in many countries around the world and has won five Uptron Awards. 2 The series was widely praised for its authenticity, casting and grandeur. 5
Contents
1 Production
1.1 Development
1.2 Filming
1.3 Casting
1.4 Crew
2 Cast
2.1 Chanakya and his coterie
2.2 The Greeks
2.3 Magadha
2.4 Pre-self-exile period
2.5 Post-self-exile period
2.6 Gandhara / Takshashila / Taxila
2.7 Kekaya
2.8 Paurava
2.9 Others
3 Reception
3.1 Criticism
3.2 Awards
3.2.1 6th Uptron Awards, 1992 for 1991
3.2.2 7th Uptron Awards, 1993 for 1992
4 Distribution
5 See also
6 Notes
7 References
8 External links
Production edit
Development edit
Dwivedi spent more than nine years researching Chanakya and read over 180 books on the subject including the Arthashastra. 6 For him, Chanakya was the first man with a national consciousness. 3 And that is what made him take up the project:
I am not interested in the present; my idea is to delve into the past and link it with the present. After a great deal of thinking I discovered that politics is the crux of all sciences, just as Chanakya said.
Today the question of national consciousness is agitating the minds of our countrymen. Was it not Chanakya who defined Rashtra and paved the way for the first one. 6
Chanakya started out as an idea for a film. But Dwivedi abandoned the plan and decided to make it into a television series because it was not possible to meet telecast deadlines if it had been shot as a film. 7 Dwivedi didn t conceive of the series as a purely factual account of Chanakya s life and times. But he did want to present a work of fiction based on historical evidence unlike the serials Ramayan and Mahabharat which presented history with a touch of masala. He didn t want to create false drama just to appease popular sentiments. 8 Episodes 11, 12 and 14 were based on McCrindle s book The Invasion of India by Alexander the Great as described by Arrian, Q. Curtius, Diodoros, Plutarch and Justin, 8 while the final episodes dealing with Chanakya s scheme to win over Dhanananda s minister, Rakshasa, were based on Vishakhadatta s 4th century CE play, Mudrarakshasa. 3
I want to prove that it is not only persons in high places who have changed the course of history but seemingly ne er do wells like Chanakya from whom there had been no expectations whatever. To present Chanakya in such a light that you or me can, on seeing the serial, exclaim even I could have done that.
Dr. Chandraprakash Dwivedi to Surya India magazine. 6
Initially, Dwivedi was associated with the project only in his capacity as writer while his brother, Prakash Dwivedi, was the producer. Dwivedi decided to direct the series after continued differences of opinion with the original director, Rajiv Singh, who later filed a case against the producers. 7 9 Dwivedi submitted his script to Doordarshan in April 1986 and shot the pilot after receiving the approval sometime in 1988. He submitted it to the channel in December 1988 and got the final approval by the end of the year. 6 BR Chopra, the producer of Mahabharat had been interested in the series and had submitted a proposal of his own to Doordarshan. However, Doordarshan preferred Dwivedi s project to Chopra s proposal which had been found wanting. 6
Filming edit
The pilot was shot at a cost of INR 1.8 million 15 million in 2009, as estimated by Dwivedi. 10 Doordarshan initially allotted 26 episodes for the series and an extension was promised if the quality was up to the mark. 6 In early 1992, a further 21 episodes were sanctioned as against the 26 demanded, after the extension was initially controversially revoked, for a total of 47 episodes. 11 12 The first 17 episodes were shot over nine months at an estimated average cost of INR 900,000 per episode. 8 A huge cast of about 300 actors were involved with the production. 7
The production team included well-known technicians such as art director Nitish Roy and costume designer Salim Arif who had previously been involved with Shyam Benegal s Bharat Ek Khoj. 6 13 Arif was also part of the cast, as narrator and as the character Sidhartak. Roy remained art director for the first 25 episodes, and Nitin Chandrakant Desai, who was assisting him, took over Episode 26 onwards. 10 14
Magnificent sets were erected at Film City, Bombay now Mumbai for the series and an amount of INR 7 million was budgeted to build three cities including Pataliputra and Takshashila. 6 Chanakya was Desai s first independent project and he had to recreate the ancient grandeur of Pataliputra for the series. Desai spent weeks at the Asiatic Library and Bombay University researching the period. The university librarian even had a separate desk installed for him in the arts and culture section after noting his constant presence at the library, even during lunch hour, for weeks at an end. 15 16 The result was a town with 26 structures, four main lanes and six bylanes, all part of a single set. 17
Close attention was paid to detail when it came to costumes and weaponry, so much so that a piece of armor worn by Chandragupta was procured for over INR 8,000. 8 According to Muneesh Sappel, associate costume designer, the costumes were based on books by Alkazi Raushan costume advisor for the serial Mullah Nasruddin, Dr. Moti Chandra former director of the Prince of Wales Museum, N. P. Joshi author of Life in Ancient Pataliputra and K. Krishnamurthy s Early Indian Archaeology. 8 18 Terracotta sculptures from the 1st century CE, the museums at Sarnath, Patna and Lucknow, and the caves at the Borivali National Park were other sources of inspiration. 8 In a 2009 interview, Salim Arif considered his work on Chanakya to be better than that on Bharat Ek Khoj. 13
Casting edit
Dwivedi chose stage actors to play the parts in the series. Pramod Moutho, Suraj Chaddha, Ragini Shah, Ajay Dubey, Arun Bali, and Himanshu Gokani were among the first to be selected. 6 While Dwivedi played the central role of Chanakya, he faced a problem when he looked for someone to play the adolescent Vishnugupta. It was then that his friend Akshay Vyas introduced him to Mitesh Safari. One look at Mitesh and Dwivedi knew he had found his Chanakya. He did not even take Mitesh s screen test and told him to report directly for the shooting. 19
Crew edit
Mohan Kaul – Editing
Rajeev Khandelwal – Re-Editing/Editing
Rajan Kothari – Cinematography
Subhash Agarwal – Audiography
Ashit Desai – Music
Nitish Roy – Art Director
Nitin Chandrakant Desai – Associate Art Director
Salim Arif – Costume Designer
Muneesh Sappel – Assistant Costume Designer
Cast edit
Chanakya and his coterie edit
Chandraprakash Dwivedi – Chanakya Vishnugupta/Kautilya
Mitesh Safari – Young Chanakya
Dinesh Shakul – Chandragupta Maurya
Abhishek Dwivedi – Young Chandragupta
Sanjeev Puri – Senapati Sinharan of Taxila
Deepraj Rana – Akshay
Bakul Thacker – Sharangdev
Sanjay Mishra – Nipunak
Navneet Nishan – Shaunotra
The Greeks edit
Shahrukh Irani – Alakshendra Alexander the Great
Nileish Malhotra – Satrap Philip
Kurush Deboo – Cliturcus/ Kritorus
Magadha edit
Suraj Chaddha – King Dhanananda
Pre-self-exile period edit
Pramod Moutho – Maha Mantri Shaktar
Himanshu Gokani – Maha Amatya Vakranas
Surendra Sharma – Shishupal Shaktar s spy
Vimal Verma – Paur Milind
Ragini Shah – Chanakya s mother
Ajay Dubey – Acharya Chanak Chanakya s father
S.P. Dubey – Acharya Abhinavgupta Chanakya s guru
Meenakshi Thakur – Bhamini Shaktar s wife
Mahendra Raghuvanshi – Kaaljayi Dhanananda s spy
Ankur Merchant – Young Ajeya
Punit Shukla – Young Kartikeya
Utkarsha Naik – Chandragupta s mother
Laxmikant Karpe – Chandragupta s uncle
Mihir Bhuta – Young Katyayan
Susheel Parashar – crematorium grounds keeper
Shikha Diwan – Angad s mother
Post-self-exile period edit
Surendra Pal – Maha Amatya Katyayan Amatya Rakshas
Irrfan Khan plays the role of Commander Bhadrasala
Irrfan Khan – Senapati Bhadrashaal
Ashok Lokhande – Ashwadhyaksha Purushdutt
Naresh Suri – Senadhyaksha Balgupta
Ishan Trivedi – Acharya Ajeya
Renuka Israni – Maitree Ajeya s wife
Manoj Joshi as Mantri Shriyak Shaktar s son
Vipin Sharma – Maha Mantri Varruchi
Chand Dhar – Acharya Rudradev
Trilok Malhotra – Bhagurayan / Sarp Mahamatya
Jairoop Jeevan – Susidhartak Undercover Spy
Salim Arif – Sidhartak / Narrator
Neena Gupta – Raj Nartaki Shweta
Prakash Dwivedi – Monk Jeevasiddhi
Gandhara / Takshashila / Taxila edit
Sudhir Dalvi – Ambhiraj, King of Taxila
Adarsh Gautam – Ambhikumar Ambhi, Prince of Taxila
Chandramohan Bounthiyal – Anujdev
Brij Mohan Vyas – Kulpati Acharya Taponidhi
Siraj Syed – Maha Mantri Sushen
Namrata Sahani – Princess Alka Ambhiraj s daughter
Kekaya edit
Arun Bali – Parvateshwar Porus, King of Kekaya
Ashok Banthia – Maha Mantri Indradutt
Malvika Tiwari – Kalyani Porus daughter
Kirti Azad – Ashtavakra Spy in Taxila
Kumar Ram Pravesh – Chakravak Spy in Taxila
Anita Kanwal – Subhada Spy in Taxila
Kamal Chaturvedi – Mrityunjay Spy in Taxila
Chandrakant Beloskar – Minister Pishuna
Paurava edit
Prakash Dwivedi – Laghu Pauravraj
JD Majethia – Malayketu, son of Pauravraj
Others edit
Malayraj, King of Malva
Reception edit
The series gathered much praise for its authenticity, particularly the way it used costumes and similar artistic devices. 8 Journalist and media critic Sevanti Ninan, bemoaning the lack of attention paid to authenticity and aesthetics in Indian mythological serials, wrote in a 2000 column in The Hindu Chanakya still stands out in one s memory for its period authenticity. 20
The series was commercially successful for Doordarshan, bringing in INR 180 million in advertising revenues. 21 While thinking about opening up the organization s second channel, DD Metro, to private producers in lieu of license fees, it took the Chanakya experience into consideration with a Doordarshan official commenting that quality programmes can attract enough advertising support to sustain even small producers who could be bidding for time slots on the metro channel.
Chanakya brought instant and lasting recognition to the director and chief protagonist, Dwivedi, 2 who is often referred to as Dr. Chandraprakash Chanakya Dwivedi. 22 23
Criticism edit
Saffron flags and shaven heads.
The series faced criticism for having a pro-Hindutva subtext and a nationalist agenda, something that Dwivedi strongly denied. 8 Questions were raised about the liberal use of saffron and Har Har Mahadev slogans in the series and Dwivedi s links to the Bharatiya Janata Party BJP. 8 Then BJP chief LK Advani had visited the series Film City sets in 1991, 24 and journalist Madhavi Irani noticed in Dwivedi s office, during an interview with him, a large laminated photograph of the BJP supremo posing with doctor sahib and his brother, serial producer Prakash Dwivedi. 8
Critic Maithili Rao, while accepting the tasteful and authentic nature of the series, termed as unhistorical the story arc dealing with akhand Bharat undivided India. In the fourth century B.C., people did not have to unite against a foreign force. Dwivedi is trying to create a Pan-Indian identity at a time when there was none, she said. 8
Another critic, Iqbal Masud, took aim at Kautilya and his magnum opus, the Arthashastra, and questioned the amoral treatise s relevance in the present time and age. The serial is the spiritual justification of the BJP s forthcoming rath yatra from Srinagar to Kanyakumari. In the existing cauldron of hatred, the serial s image of shaven heads and Vedic mantras is only bound to ignite passions. There is no beating around the bush that the ideology Chanakya preaches is the ideology of the Rashtriya Swayamsevak Sangh and the BJP, he said. 8
V. Geetha, in an editorial in the Deccan Herald, wrote:
I deology is not entirely absent in its open assertive form. For, the text is replete with references to the sacred and inviolable home that is Bharat never mind the anachronism and the heavily Sanskritised Hindi renders meaning opaque and one wonders if this is deliberately so. The viewer is awed by the power of knowledge and virtue, and sound the sonority of the Sanskrit language itself substitutes for meaning and in the interstices of image and text, lurks the shadow of Hindutva. 25
Other critics referred to some other non-political inaccuracies. Script writer Govind. P. Deshpande who scripted the episodes on Chanakya, Shivaji and Mahatma Phule for Bharat Ek Khoj thought that the series had failed to correctly identify and interpret the concepts of dharma and rashtra as they existed from the Vedic to the Mauryan times, and that the philosophies of the time, both Vedic and otherwise, had not received in-depth treatment. 8 Dwivedi did receive support from veteran actor Dr. Sriram Lagoo who said that the series portrays the period of Vedic culture quite accurately and one imagines there was quite a bit of saffron going around even then. 8
The controversies, including accusations of religious propaganda, resulted in Doordarshan pulling the serial off air, but only after the series completed the allotted number of episodes thanks to legal action by the producers. 26 I still feel that people didn t understand the kind of work I did in Chanakya. Nobody saw the pains behind making a serial set in a period about which there was practically nothing on record. But controversies were raised, so people didn t watch it seriously, Dwivedi said in an interview years later 1996. 27
Awards edit
6th Uptron Awards, 1992 for 1991 edit
Best Director – Chandraprakash Dwivedi
Best Actor – Chandraprakash Dwivedi
Best Art Direction – Nitin Chandrakant Desai
7th Uptron Awards, 1993 for 1992 edit
Best Serial 28
Best Actor in a Supporting Role – Surendra Pal
Distribution edit
Chanakya premiered on Doordarshan s main channel, DD National, in September 1991. In 1993, it was picked up by the BBC and telecast in the UK on BBC2 as part of the Saturday morning Asia Two slot. 29 Zee TV re-ran it in 1997 3 when Dwivedi was the channel s programming head, and 9X in 2007–08. Since 2008, Amrita TV runs a dubbed into Malayalam version titled Chanakya Tantram. The series has been broadcast in the USA, Canada, Indonesia, Sri Lanka, Mauritius and Nepal. 2
Since 1993, the complete series has been available on home video in formats including a set of 16 VHS video cassettes, 30 47 VCDs, and 12 DVDs.
See also edit
List of Chanakya episodes
Chanakya
Mudrarakshasa
Chandragupta Maurya
Chandraprakash Dwivedi
The Invasion of India by Alexander the Great as described by Arrian, Q. Curtius, Diodoros, Plutarch and Justin
Notes edit
Television. The Indian Express. 8 September 1991.
a b c d Celebrating humanity. Screen Weekly. 26 September 2003.
a b c d Uma Chakravarti 2000 1998. Inventing Saffron History. In Mary E. John, Janaki Nair. A question of silence: the sexual economies of modern India. pp. 243–268.
Television. The Indian Express. 9 August 1992.
Lessons From History. Indian Express. 2009-08-21. Retrieved 2013-03-13.
a b c d e f g h i And Now Chanakya. Surya India 14: 58. 1989.
a b c Sukanya Verma 23 October 2003. Neither the Indian nor the Pakistani government will gain from Pinjar. rediff.com.
a b c d e f g h i j k l m n Madhavi Irani 1 December 1991. Saffron for breakfast Check url value help. The Times of India.
Pre-planned sabotage of Chanakya. Organiser. 28 June 1992.
a b Chaya Unnikrishnan 21 August 2009. Lessons from history. Screen Weekly.
S. P. Agrawal, ed. 1991. Development/digression diary of India: 3D companion volume to Information India 1991–92 45. Concept Publishing Company. p. 118. ISBN 978-81-7022-305-4.
India Today, Volume 17, Part 1. India Today Thomson Living Media 17: 72. 1992.
a b Arjun Narayanan 20 December 2009. Next work, your own catcall. The New Indian Express.
Nitin Chandrakant Desai. Joint Scene.
Piyus Roy 14 April 2007. The Set Maker. Indian Express.
Deepa Karmalkar 25 July 2008. Set for big times. Screen Weekly.
Aruna Vasudev, ed. 1995. Frames of mind: reflections on Indian cinema, Volume 44 of Indian horizons. UBSPD. p. 132.
Ashish Mitra 12 March 2004. Art Directors gaining recognition. Screen Weekly.
Parag Maniar 7 November 2008. The baton passes on. Mumbai Mirror.
Sevanti Ninan 16 July 2000. Television gods Check url value help. The Hindu.
Askari H. Zaidi 1 August 1992. DD Metro Channel council soon. The Times of India.
Menka Shivdasani 2 July 2001. Building programmes. The Hindu Business Line.
Missing stars take shine out of Delhi CM s meet. Indian Express. Express News Service. 24 February 1998.
Business India, Issues 355–360. Business India A.H. Advani : 52. 1991.
V. Geetha 7 December 1991. Chanakya – Dangerous images Check url value help. Deccan Herald.
A. L. Chougule 5 September 2003. Danger of Saffronisation. Screen Weekly.
Suresh Nair 7 November 1996. I haven t earned anything from television Check url value help. The Times of India.
Data India, 1993
Claire Frachon; Marion Vargaftig 1995. European television: immigrants and ethnic minorities. John Libby. p. 265.
Henrietta L. Moore 1996. The future of anthropological knowledge. Routledge. p. 57. ISBN 978-0-415-10786-0.
References edit
And Now Chanakya. Surya India A. Anand 14: 58. 1989.
Uma Chakravarti 2000 1998. Inventing Saffron History. In Mary E. John, Janaki Nair. A question of silence: the sexual economies of modern India. Zed Books. pp. 243–268. ISBN 978-1-85649-892-0.
External links edit
Chanakya at the Internet Movie Database
Episode List
Retrieved from https://en.wikipedia.org/w/index.php.title Chanakya_ TV_series oldid 695431567
Categories: Serial drama television seriesDoordarshan television seriesIndian period television seriesCostume drama television series1991 Indian television series debuts1992 Indian television series endingsWorks about the Maurya EmpireIndian historical television drama series1990s Indian television series.